
This work is based on the idea of psychogeography formulated by Guy Debor. I set aside a day and went for a walk on Yerevan, trying to feel the city’s impact on me — and how I, in turn, get caught up in its rhythm.


The urban environment is always noisy, chaotic, and sometimes overloaded. After a while, only fragments remain in memory — like pixels accidentally detained on a retina. These fragments merge into a new, subjective whole: the image of the city is not composed of facts, but of distorted, sensitive traces, which I interpret in my own way.
