I want to leave a digital mark, convey emotion through various forms of design, and help make people’s lives easier, more understandable,
and more visually pleasing
(01) MAGAZINE ТРЕНДАЙЛЕНД
Our goal was to create a magazine that would capture the key trends, newsworthy moments, and hotly debated events of 2025. Unlike a news feed, which is constantly updated and quickly fades into obscurity, a print publication should preserve these events and make them available for revisiting.
Our goal was to create a space for nostalgia and shared memories. The magazine should function not only as a collection of current events but also as a physical archive of the recent past, something one can return to over time, flip through with friends and family, introduce a new generation, and explain what the internet was like in 2025.
We’ve compiled the most notable media events of the year in a single publication and presented them in a short, clear, and lively format.
We’ve eliminated unnecessary commentary and focused on the newsbreaks themselves, allowing readers to quickly refresh their memories, recognize familiar stories, and relive the emotions associated with them. We’ve also created additional gifts for our magazine, featuring items from that year.
(02) GUINNESS WORLD RECORDS CALENDAR
My task is to systematize the Guinness Book of World Records records and divide them into four thematic sections corresponding to the seasons. Based on this structure, I will develop a calendar layout, consider the presentation of information on each page, and create a series of original illustrations that visually convey the selected records.
I combined informational and illustrative elements to transform
the calendar into a compact collector’s edition. Each spread introduces
the reader to a specific achievement, and thematic divisions help structure
the presentation of records throughout the year.
(03) VELOKID ZINE
This project was dedicated to my memories of cycling with my dad. I was tasked with telling a personal story in a way that would resonate with her, structuring all of her memories.
I used Google Maps as a metaphor. They became the guide to my story, navigation became part of the zine’s graphic elements, and I also censored some text passages by cropping the margins. I tried to convey the atmosphere of childhood and old photographs through photo editing.
