
I will help you create the unique «DNA formula» for your brand and design your collections.
My name is Lina Kosmacheva; I work in art direction, womenswear design, and branding within the fashion industry.
I’m ready to help you develop your idea into a well-thought-out, conceptual brand.
An emerging professional in the fields of branding and design. I specialize in developing concepts and visualizations for brand collections, creating sketches, and crafting brand identities and project strategies. I work on both creative and commercial projects. My interests lie in conceptual and commercial fashion, costume design, and contemporary art.
If you want to launch a womenswear brand in the middle or middle+ segment, with a focus on creative yet wearable clothing
I am open to proposals for commissioned projects!
My approach to developing your clothing brand concept begins with in-depth research into references and an analysis of fashion brands that work with similar concepts.


Lanvin DNA/brand research


Lanvin DNA/brand research
After analyzing the theme, I define the concept and formula for the brand’s future collections; these will serve as the foundation for sketches and visual developments.


Lanvin DNA/prints
Lanvin DNA/sketches
While working on the conceptual component of a collection, I simultaneously identify key features of the clothing style, create mood boards, and experiment with prints and collages.


«Clueless but sensitive”/mood boards


«Clueless but sensitive”/mood boards
«Clueless but sensitive”/prints
This allows me to stay within the scope of working with clothing visualization.


«Clueless but sensitive”/sketches


«Clueless but sensitive”/photoshoot
I like to maintain a cohesive aesthetic for a project, which I develop by curating mood boards and exploring various stylistic techniques.
«Broken doll"/mood boards


«Broken doll”/prints
«Broken doll”/textile manipulations
From the initial product sketches to the collection lookbook photoshoot.
«Broken doll”/photoshoot
For me, the process of selecting the print, technique, and material is important.
«Approval focus”/textile manipulations
«Approval focus”/textile manipulations
And after many iterations, I arrive at the final design of what the client wants to see.






















