Three reasons: I work confidently across styles, choose the technique for the task, and fit easily into someone else’s vision. Next, the projects where I’ve put that to the test.

Dark realism and a bright cartoon call for different solutions, but the same foundation: drawing, movement and colour. First, two projects at opposite ends.

I draw frame-by-frame animation in Procreate Dreams, where a wide choice of brushes gives the image a living texture. I build cut-out animation in Moho when I need speed and clear movement mechanics.

A music video for Delfin’s song about ravens, mortality and flesh. The task was to convey weight without jokes or effects, across three minutes of screen time.

I can carry a long, serious sequence and hold
the mood with drawing and movement alone,
with no humour to lean on.

Death usually brings to mind gloom and sadness.
The task: in 2–3 minutes, convince the viewer that
the afterlife is much more fun, and do it lightly
and with humour.

Skeletons, a graveyard and skulls drive a bright, cartoonish frame-by-frame film. The theme
is the same as in Toska, but the delivery
is the opposite. I control the mood instead of repeating a familiar style.