Written during the pandemic, the song explores the isolation of lockdown and the loss of performance space — reflecting a silenced «prophetic voice,» directly referencing the myth of Cassandra. The narrative is driven by the tension between rigid control (daily domestic routine) and the urge for freedom (raw creative energy, untamed nature, and physical release).

Execution & Tools

A hybrid workflow combining AI generation and mixed-media post-production. Neural networks provided foundational footage, camera movements, and scene compositions. These assets were then treated in digital post-processing with material textures.

Challenge

A stage backdrop designed for the track «Oblaka» from the album «Ministry of Death» by Offizier Rinzer. The project is an experimental music endeavor exploring intimate themes of mortality, love, and power through dramatic power electronics and a self-defined «romantic spoken noise» aesthetic. The goal was to translate this raw sonic tension into an intense, immersive live visual environment. Created as a collaboration, where I handled footage preparation, TouchDesigner processing, generative setups, and merchandise design.

Execution & Tools

To reflect the visceral nature of the performance, the visual system was built around real-time audio-reactive generation in TouchDesigner. Sound frequencies and spoken-word dynamics directly drive the visual distortion, noise textures, and motion parameters on stage, blurring the line between physical performance and generative digital media.

Challenge

A short explainer video exploring Arirang, a fundamental cultural concept that weaves through Korean history — from ancient folklore and regional traditions to modern cinema and the contemporary pop scene. The goal was to articulate this layered cultural heritage through a fast-paced, educational motion format. The motion language draws directly from the geometry of Hangul — utilizing disciplined straight lines, deliberate gaps, and structural breaks to guide transitions and composition.