
Three series of two posters in digital collage technology for three films: 1. The Raid 2. Paku Tanah Java 3. Pamali
1. The Raid
S.W.A.T. is trapped in a destroyed house controlled by a ruthless thug tracking everything through monitors transmitting surveillance video. The building is filled with its loyal killers and thugs, and every corner becomes a deadly battlefield. In this series of posters, I applied the effects of imposing various analog interferences on old televisions on top of collage clippings of film characters against the background of a rough, dark wall.

2. Paku Tanah Jawa
Handini is a syndrome that performs mystical rituals on Mount Tidar in order to gain a blessing. Her art and faith are intertwined with ancient traditions, revealing the secrets of the land of Java. However, every action on the holy mountain requires sacrifice. In this series of posters, I have assembled a composition in such a way that, because of the rippled leaf of the old poster, a snake that appears repeatedly in the film itself is crawling through the torn pieces of the poster, and through the torn pieces of the poster there are sinister silhouettes of the spirit chasing the heroes of the film.
3. Pamali
Due to the severe crisis, Jak Sunar is forced to return to the old family home he left 20 years ago. An abandoned dwelling, lost deep in the village, is the keeper of dark secrets and forbidden traditions. The poster series is a picture of an old wall with many crumbled paintings in a framework that in the film reminded the hero of the dark past of this place.