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Communication Strategy for Eflectica

PROTECT STATUS: not protected
This project is a student project at the School of Design or a research project at the School of Design. This project is not commercial and serves educational purposes

Communication theory in the field of design

Communication theory in design reveals how visual solutions work as persuasive systems between creators and audiences. The rhetorical tradition positions design as visual argument: designers craft persuasive messages through composition, hierarchy, and style, moving through concept, organization, and presentation—much like classical rhetoric’s stages of invention, arrangement, and delivery. The cybernetic approach shifts focus to feedback systems, where user actions generate data that interfaces must recognize and respond to, transforming one-way transmission into dynamic dialogue. This perspective proves particularly vital for interactive platforms and social media, where technology and human behavior co-create meaning.

Design isn’t just information transfer—it’s visual rhetoric. Every choice shapes how users perceive, feel, and act

Sociocultural theory emphasizes that design actively constructs cultural practices rather than simply reflecting them, and effective design accounts for community norms and familiar symbols to build trust when cultural gaps emerge. Dialogic theory takes this further, framing design as authentic conversation between organizations and users: platforms offer engagement opportunities, but genuine dialogue requires listening and co-creating rather than broadcasting. Finally, the critical tradition examines how design operates within systems of power, never existing neutrally but either supporting or challenging existing orders—pushing designers to question whose interests they serve and how their work enables freedom versus manipulation.

Productive design shifts fluidly between these perspectives, using each as a lens for different situations

Rhetoric teaches persuasion, cybernetics reveals systems, sociocultural approaches highlight context, dialogic theory demands authenticity, and critical traditions expose power structures. These frameworks move designers from intuition to strategy, from arbitrary choices to grounded decisions. Communication in design becomes precise and humane when rooted in understanding how people actually perceive and use visual information within their social worlds.

Presentation of the brand for a general audience

Scrolling through endless marketplaces, juggling subscriptions, bookmarking effects you’ll never find again—every creative knows this chaos. Hours vanish searching instead of creating

Eflectica is a media service that enables users to discover, exchange, and explore presets and effects for photo, video, and 3D graphics. It allows saving references, improving projects through industry feedback, and browsing curated collections.​

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Presentation of the brand

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Outdoor advertising for the Eflectica web service

Eflectica helps you stay current and creatively empowered. The platform brings together search, exchange, and discussion of presets to enhance projects and spark inspiration. Users can customize their feed by categories and software preferences, ensuring they see only the most relevant content for their workflow.

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Main page of the Eflectica web service

Eflectica brings inspiration out of the feed and into your space, turning everyday moments into creative triggers

Outdoor advertising for the Eflectica web service

Eflectica is centralized creative arsenal

Access and organize presets, effects, and assets for photography, video, 3D, and beyond—structured around how you actually work.

Eflectica App Store page design

Discovery without distraction

Explore hand-picked collections, track emerging trends, and see what’s happening in the creative community.
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Collections page on the Eflectica web service and collection creation modal

Intelligent creative support

The platform recognizes your patterns, recommends relevant resources, and keeps you in the zone instead of breaking your momentum.

Feed settings modal on the Eflectica web service

Presentation the brand for a professional audience

Creators don’t just need resources—they need an ecosystem that accelerates their process, sparks new ideas, and builds a bridge to like-minded professionals. Effectica is that ecosystem

The platform studies patterns of users, responds to their aesthetic preferences, and evolves with their projects—offering intelligent suggestions. That idea shapes the wordmark first. The Eflectica logo introduces deliberate pixel and italic breaks, reflecting a workspace where styles are constantly combined, remixed, rather than locked into one aesthetic.

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Because friendliness depends on clarity and approachability, the core type choice is a geometrical grotesque: Basis Grotesque Pro keeps the interface calm and readable while users search, compare, and discuss effects. A grotesk also ties the brand to the everyday language of the web—sans-serif dominates UI environments, and serif tends to signal a more editorial tone.

Secondary fonts (Tickerpixel and Vesterbro Variable Italic) introduce controlled personality: pixel references echo the logic of digital artifacts and effects, while a variable italic adds expressive emphasis for highlights.

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Typography for Eflectica

The color system carries the values of friendliness, creativity, and relevance into moments of navigation and discovery. The high-contrast black/white base supports the mission of simplifying work with presets by keeping content dominant and reducing visual noise. Blue and magenta then work as accents: blue reads as precise and tool-like for structure and wayfinding, while magenta acts as an expressive signal for discovery moments (trending collections, effects, new releases), reinforcing Eflectica as both an organized creative arsenal and a source of inspiration.

Creators don’t just need resources—they need an ecosystem that accelerates their process, sparks new ideas, and builds a bridge to like-minded professionals. Effectica is that ecosystem.

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Color palette for Eflectica

Eflectica’s visual language layers high-impact imagery—portraits with dramatic effects, stylized lighting, or digitally processed scenes—with recognizable interface fragments from editing software (menus, sliders, node trees, render settings). This technique makes the value proposition instantly legible: the visuals don’t just talk about effects, they show effects in action with the tools visible, signaling insider knowledge and creating immediate recognition for creators who already work in Blender, Photoshop, or After Effects.

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Social media design for Eflectica

Every creator works differently, so our visual system maintains brand coherence while flexing to match individual creative identities

Friendliness shapes how the platform speaks and behaves. Interfaces and communication are designed to feel clear, approachable, and patient, especially for emerging specialists who are still building their skills.

Onboarding in the Eflectica mobile app

Effectica communicates with its audience primarily online—through a Telegram channel and social media posts that keep the message immediate, consistent, and visually driven. The brand speaks through strong imagery, using short, direct headlines to frame what Eflectica is about. This format mirrors how creators actually consume information during the day—fast, scrollable, and visual-first—so the communication feels native to the platforms where the community already lives.

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Posts for the Eflectica Telegram channel

Effectica lives in the physical world too—through posters, branded materials, and tangible touchpoints that bring our digital mission into real creative spaces. These aren’t generic merch items: they are practical objects for people who spend long hours at a computer—useful accessories that fit desk routines, commutes, and everyday production work.

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Branded materials for Eflectica

How course communication theory shaped the presentations

Eflectica prioritizes social media and a Telegram channel over physical media because that is where the creative community already tracks trends, exchanges references, and makes fast decisions about tools and aesthetics

This choice aligns with Marshall McLuhan’s claim that «the medium is the message». The channel itself shapes perception and behavior, so selecting an online medium is not just distribution—it is part of what Eflectica is as a service built around speed, novelty, and constant visual updates [6]. For a platform about effects, the advantage is also technical: social media formats allow motion and micro-interactions—such as GIF-based covers and animated visuals—that cannot be reproduced in print, making the communication feel more native to digital post-production and more efficient for trend scanning.

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Posts for the Eflectica Telegram channel

Inside the product, interface elements are designed as affordances—cues that suggest specific actions and сценарии—to guide users toward discovery, saving, and sharing instead of passive browsing [2]. Clear CTAs, category-based navigation, and contextual prompts «invite» behaviors like exploring collections, bookmarking references for later.

Adding a reference in the Eflectica mobile app

Eflectica applies the logic of Optimal Distinctiveness [1] by designing for both differentiation and assimilation: users can personalize their feed so it adapts to selected categories, preferred editing software, and subscriptions, which helps each creator build a workflow that reflects their own aesthetic priorities and goals. At the same time, belonging is reinforced through shared practices—discussion in comments under effect pages, feedback exchanges, and the collective archive of presets itself, where publishing an effect is framed as a contribution to the community’s shared resource base.

The value proposition is also framed through the minimax principle in Social Exchange Theory—maximize rewards and minimize costs—by offering outcomes creators actively want (stronger portfolios, trend tracking, fast access to references) with less time wasted searching across scattered marketplaces [8].

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Outdoor advertising for the Eflectica web service

The brand identity is built with the understanding that the impression created becomes reality for the audience [4]. That is why Eflectica relies on high-contrast color, vivid imagery, and a digitally coded logo: the system signals creative energy and technical confidence, while still staying readable and supportive for emerging specialists. Eflectica also applies the Elaboration Likelihood Model [7] by working through two routes at once: peripheral cues catch the uninterested audience through striking visuals (posters, holographic carriers), while the central route supports the interested audience with concrete content—tutorial-like posts, feature explanations, and curated selections.

This way, offline materials function as high-impact visual triggers, and online communication becomes the deeper layer where users evaluate value, build trust, and decide to join

Bibliography
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1.

Brewer M. B. The social self: On being the same and different at the same time // Personality and Social Psychology Bulletin. — 1991. — Vol. 17, № 5. — P. 475–482.

2.

Cabiddu F., De Carlo M., Piccoli G. Social media affordances: Enabling customer engagement // Annals of Tourism Research. — 2014. — Vol. 48. — P. 175–192.

3.

Craig R. T. Communication theory as a field // Communication Theory. — 1999. — Vol. 9, № 2. — P. 119–161.

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Goffman E. The presentation of self in everyday life. — New York: Doubleday, 1959. — 259 p.

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Lee S. T. A user approach to dialogic theory in a Facebook campaign on love and marriage // Media, Culture & Society. — 2014. — Vol. 36, № 4. — P. 437–455.

6.

McLuhan M. Understanding media: The extensions of man. — New York: McGraw-Hill, 1964. — 318 p.

7.

Petty R. E., Cacioppo J. T. Communication and persuasion: Central and peripheral routes to attitude change. — New York: Springer-Verlag, 1986. — 262 p.

8.

Thibaut J. W., Kelley H. H. The social psychology of groups. — New York: Wiley, 1959. — 313 p.

Image sources
1.

Eflectica // portfolio hse URL: https://portfolio.hse.ru/Project/260259 (дата обращения: 07.12.2025).

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