Behind the pink screen. Retained Erotism of Pink Film
«Beyond the pink screen. The contained eroticism of a pink movie» is a publication that explores the chronological development of Japan’s most scandalous film genre. Thanks to the risky integration of political, erotic and social dimensions, this phenomenon has become the first-born of the great films of Quentin Tarantino, Martin Scorsese, Gaspar Noe.
The book is not intended to be viewed by persons under 18 years of age
Grid Metaphor is a Japanese screen. It is a symbol of the sacrilege of personal life, which was portrayed as traditional Japanese erotic gravel.
Calca, like the screen, creates a feeling of a barrier to something secret (in this case, information)
The chapter «Pink Filmers» is completely printed on pink paper. It is during this period that the genre from c/b of films to colours is moved inside the genre.
Reverses with dialogues and quotes from pink films for full diving into genre specifics
Large images «crash» into the text, small images — interrupted by the text block
The lights used to bypass censorship in Japanese movies. The element hinting at eroticism is cut out of the photo as impenetrable.
At the end of the book, the reader is able to look behind the screen, thanks to a section that reveals the secret of the photos cut out.
