A garden by a house in which there is light, but no one lives.
& quo; Garden y home, in which burns light, but no one is lives& raquao; — is an exhibition built as a metaphorical collection of stories.
Main place of action: the territory of the House of Creation. Photo: Hope Kupriyanova
The stories are presented in art format. All of them are closely intertwined with the story of the place and the biographies of people who have lived in different years and have lived in in different ways. And these are not only writers and writers, but also local residents and low-storey housekeepers, employees and local institutional staff.
In an attempt to ' laquo; land» the image of Repelkino, we turned to its essence — to a successful way of life and inextricably linked to gardening. 'Cause it’s not just a cultural heritage, but it’s a cultural heritage, and it’s a living community of people. — neighbors, writers, and visitors. Plant cultivation and fun has become a unifying factor. For us, Revelkino — are different relationships: intellectual and creative, neighbouring and human. It’s them that we’re planning to explore in our project’s frame.
The lab of the project in Repelkin. Photo by Anastasia Samilova
On this page you’re you can read the the documentation of the curator walks that became one of the the key results of the project. ==History==The march included all the locations of the project, as reflected in the participants ' < nbsp > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >… > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > &
The starting point — the exhibition in the semi-substrate of the new building of the Creation House, which became a kind of ' laco; content of the compilation of» by combining elements of all four stories in the same space.
(0) Exhibition in the basement
A fragment of the exhibition: Vasilisa Lebedova vegetable garden for the & laquo; Artichokes are forbidden to enter». Photo: Cyril Savelev
23 April in The House of Creation presented the results of the seven-day <laquo; Garden U Home in whose light is on, but no one is lives». It was attended by Anastasia Samilov, Vasilis Lebedeva, Anna Tararov and Anastasia Kayneanung.
Fragments of exposure. On the left: strawberries from the story of Julie and Lisa ' laquo; Garden at house…». On the right: video of Anastasia Kayneanung from the story <laquo; Dear Land». Photo: Cyril Savelev
In the results of the Redelkino study along with the the artists we discovered 4 the stories that came into the « the collection of» and formed the basis of artistic projects. (1) A garden outside a house where light is on, but no one lives. Storytellers: Julia Evstratova, Lisa Movchin (2) Artichoks are forbidden to enter. : Vasilis Lebedeva (3) Dear Land of Tales: Anastasia Kayneanung (4) (Green House) Tales: Anastasia Samilova
Visitors to the exhibit in the basement. Photo: Cyril Savelev
All the stories were found through horizontal links and selected by the principle of the influence of the vegetation side on the local resident telling us this story. Somewhere the plant factor was the basis of history, somewhere the method of building communication, but the star was part without which these stories were not they were they were.
A fragment of the exhibition: an installation with a banner by Anastasia Samilova for the story « (Green House)». Photo: Cyril Savelev
On the left, you can see a <laco; greenhouse with vegetables». For Anastasia Samilova and Constantin Adger — video & laquao; Dear Land». Photo: Cyril Savelev
Lisa Movchan, Julia Evstratov (1) Garden outside a house where light is on, but no one lives
That’s the house. Photo: Cyril Savelev
The first story, <laquo; Garden y home, in which burns light, but no one is lives& raquao; , appeared after observing mysterious house on territories of the Creation House. Enchanted by the burning windows, we’ve guessed who’s also living in the huhnbsp; such a wonderful service. From the 'nbsp; tour guide we’ve learned there’s been reconstruction and 'nbsp; no one’s lived for a long time. In the house will soon become the exhibition space <laquo; The House of Creation of the Fortelkino». A now local workers and employees light up in all windows every night. The image of a deserted, mythical place that still preserves the appearance of life has become a key feature for us. This house is a micro-projection of the whole of Repelkin: either six-metre fences, or giving-meuses, or a neat and almost puppet territory of the House of Creation.
The strawberry landing process near the house. Photo on the left: Hope Kupriyanova. On the right: Cyril Savelev
& quo; House, in that light is on, but no one is lives. U dead house — living garden. You want to take the berries or steal them, not the berries; you want the berries; you want the berries; you want the berries and the berries; run. That’s him; the circle of strawberries in nature, that’s and the staring strawberry communities, in which are the best — this is we. People, people, people, strawberries — many, we — together, we together, we want to be together, even when on separate». Lisa Movčan and Jules Evstratov
The strawberry landing process near the house. Photo: Cyril Savelev
We’ve planted a strawberry garden next to the house to bring a new life to its territory, and to stare at beautiful plants, to enjoy sweet berries.
Traces of our presence. — strawberry garden. Photo: Cyril Savelev
Vasilis Lebedev (2) Artichokes forbidden to enter
The way to the museum house. Photo: Cyril Savelev
It’s not surprising that many people take the names of Boris Pasternak in isolation from the 'nbsp'. Here, he loved, wrote, mourned, died, and was still growing gardens. Pasternak’s gardening talent may be said to have saved the author’s family after excluding him from the Society of Writers. Separate thanks to the potatoes. The garden of Pasternaka is now supported by a female employee. The museum prefers those vegetables and the plants that were in the species and Boris Leonidovich, and c caution and lack of confidence are related to exotics such as artichokes.
In the garden of Pasternak. Photo: Cyril Savelev
& quo; wants to revive this garden — the place that the author loved so much, and in who worked himself, for pleasure, not entrusting land works to others. It’s a connection to the Earth and the plants. I’d like to rebirth her. I’ve bought seeds and crop on & bdquao; Sadopode& ldquao;. So that they can adapt to Boris Pasternak’s poems, some of them of the author’s own, and another recording of „ Dr. Livingago»…» Vasilis Lebedev
In the garden of Pasternak. Photo: Cyril Savelev
Vasilis Lebedev and Elena Domić, a member of the museum’s house, in this spring and summer season, they together care for the vegetables and the flowers in the parod of Pasternak. They even exchanged a flowering geranium, which also became a symbol of the communication of the artist and the institution.
In the garden of Pasternak. Photo: Cyril Savelev
Anastasia Kayneanung (3) Dear land
Aunt Tanya’s paliste. Photo: Cyril Savelev
In addition to the author’s dailies near the 'nbsp; the House of Creation in the 'nbsp; the '60s were built small-storey houses. The woman of one of the they, Aunt Tanya, remembers her childhood very well, and youth in changed: how her babysitting Chukovsky, as in bus with he said hello to Evnesensky. Much has changed, but the home palisadite remained, appearing in the court more than 60 a year ago. Each family had a small plot. Raised everything: and vegetables, and flowers, and beans. S in time, most of the tenants have been undetected by the age when caring for the 'nbsp; it becomes difficult. The court gradually began to die. Aunt Tane, as the brightest and the most active gardener in the country, the neighbor began to pass on her plots. So now she’s taking care of almost the entire court: the palaliscon and the klumbs.
On the left: cats in the 'nbsp; palazedium. Photo: Cyril Savelev.
To the right: the visitors to the exhibition at the curator’s walk. Photo: Hope Kupriyanova
< <The hostess of the palecade makes tea, pours tea into the chauffeur, watches anxiously from the window of the two trees — through the ready-to-be-displaced branches of the apple — on owns, on everything she has. It’s her heart, it’s her soul. Earth is different for everyone. Someone’s not going to see after the demolition plans and the 'nbsp; the improvement of neither the apple tree, nor the syringe, nor the syringe, nor the sneaky sausage of blue ate. Will he survive, baby? A survives the rest? What will happen to the inhabitants of the village separated from the village; his dear land — because for someone it is literally too expensive?» Anastasia Kayneanung
Anastasia Kayneanung met the 'nbsp; thethetas of Tanya, who told her 'nbsp; o the amusements and the tulips, and yet she shared the blackness and the drowning. The fruit of this communication was a video of Anastasia. The story of the ' laquo ' reporter ', another artist ' s project, and Aunt Tanya ' s biography became one, and became one. The new plants marked a new stage for each of the they.
Video of Anastasia Kayneanung in exhibit space: hidden behind the closet. Photo on the left: Anastasia Samilova. Photo on the right: Cyril Savelev
Samilov Anastasia (4) Green House
Green house. Photo by Anastasia Samilova
Like the flowers on the 'nbsp; the Poles, the dormitories were placed on the 'nbsp; the territory of the House of Creation. They’re just as neatly groomed as if they’re frozen. In front of each of them, a small sign: <laquo; Living House, request not enter without invitation». But, uh, does he live in or in, uh, nbsp; do we have someone? For the last 10 at least in the little Green House; the last 10 the day was inhabited by the project participants. They worked, watched from the 'nbsp; small windows for the 'nbsp; passers-by and 'nbsp; friend.
Anastasia Samilova. A house where someone lives. A series of photographs, 2023
The perfect doll house is exactly the same as the 'nbsp; the center of the perfectly flat square of the 'nbsp; white fence. He’s met us like this, but he’s gonna be like this, isn’t it after we’ve been here? In trying to build communication with outside space we took the first step — removed furniture from home to backyard. Everything that was invisible became accessible has become a talker. The house in this time became a place of refuge for our dear green friends — accepted them c hospitality and provided everything they needed for comfort. Now there’s definitely someone living in this house. Anastasia Samilova
Anastasia Samilova. A house where someone lives. A series of photographs, 2023
In his own project, Anastasia Samilov summarized the joint work done during the time of the lab in the the form of the photo series.
Anastasia project in the exhibition space. Photo: Cyril Savelev
Julia Evstratov and Lisa Movčan (artists) Vasilis Lebedev, Anastasia Kayneanung, Anastasia Samilov (prosainer) Sonya Jeristavi (photo and photographer) Cyril Savelev, Nadida Kupriyanova, Anastasia Samilov (coordinator from the home of creation) Boris Kupriyanov (coordinator from the house of pasteurnac) Elena Domić (proditioner)
No comment. Photo: Cyril Savelev
See you in the strawberry field!Julia and Lisa
